Two brush strokes, 2 zagged diagonals, a high focal to reduce down to 2 dimensions; 2 subjects, ordinary and yet not.
The static male/female delivered in thoughts, shy and yet bold, wanting to be seen, but why there?
The moving male, both arms abandoned, bypassing everything even his young life.
In modern times of photography everything has been said (allegedly). And still, HCB Istanbul stairs can be revisited using simplicity in the structure and complexity in the conception!
Denis Dukhovnik renders worlds of multiple readings (and feelings), creates ambiguous and perilous states of mind (attraction, repulsion, acute doubt).
A world with no shadows, ceremonial individuals, luxury cars in handicap parking spots, the whole submerged in primary concrete ... with no embellishment, no mercy, no resignation ...
LINK BACK TO FB